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CAROL ANN TAN ("Cat") is a Singapore-born director, writer, and dramaturg based in NYC and Chicago. Her work interrogates how modern communities breed individual experiences of isolation and marginalization; her aesthetic is contemporary absurdism—strings of internet memes writ large. 


Directing credits include Tango (PrideArts), Wolf PlayConstellations, Much Ado About Nothing, A View From the Bridge (Brown/Trinity), Amphitryon (Theater at Monmouth), Two Mile Hollow, Golf Girl (Brown University), Warrior Class (The Comrades), Domestic Departure (Haven Theatre), Apartment Complex, Domestic Departure (University of Chicago), as well as staged readings of Peking Apples (Echo Theater), Bakkhai (Brown/Trinity), The Mark (Babes With Blades), Mine & Yours (Artemisia Theatre), Dialogue and Rebuttal (Silk Road Rising), Natural Shocks (The Comrades), and Fresh Out the Closet (Asian Improv aRts Midwest). Cat has assisted John Gawlik on Doubt (The Gift Theatre), Dexter Bullard on Mies Julie (Victory Gardens), and Elly Green on You for Me for You (Sideshow Theatre).


As a writer, Cat's plays include Trump Card, Apartment Complex, and Domestic Departure. Cat’s plays have been performed at Haven Theatre, Other Theatre, Brown/Trinity, North Central College, and the University of Chicago. Domestic Departure was awarded second place for the Olga and Paul Menn Foundation Prize.


As a dramaturg, Cat's credits include The Lehman Trilogy (TimeLine/Broadway in Chicago), Vietgone (Writers Theatre), Christmas Mubarak, Wild Boar, American Griot (Silk Road Rising), At the Vanishing Point (The Gift Theatre), The Audience, The Paper Dreams of Harry Chin (TimeLine Theatre), Mike Pence Sex Dream, Two Mile Hollow, peerless (First Floor Theater), A Heap See (Sideshow Theatre), Hello Kitty Must Die (SoloChicago Theatre), and In the Wake (The Comrades).


Cat is an artistic associate (formerly resident dramaturg) with Silk Road Rising, and a 2017/18 Directors Inclusion Initiate at Victory Gardens. MFA Directing: Brown/Trinity.

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